Monday, 25 September 2017

The Cat of St. Ives (Part II)

The Cat of St. Ives (Part II)


I never was a cat of home,
and born the streets I was to roam
from Tom unknown, and mother cold
I learned from young my course to hold.
It wasn't always pain and pine,
though verily in winter time,
and oft I would a sated sleep
take neath the night and dream to keep
of when my life would always be
of comfort, warmth and joyous glee.

But moon on moon the hardships came,
and when the rats from sunny Spain
the black death carried we became
the heroes of the town again.
Dark of coat and black of eye,
quick of mind a lythely by
the guard and dockhand they would slip
on into town to nibble, nip,
and chew through cast off food and grime;
the humans' waste their baleful crime,
attracting such a numerous crowd
who carried with them darkened clowd.

The simple flea, a stowaway
that lived among us every day,
hosted by the humble rat,
the loyal dog, and sovreign cat,
brought to the land a baleful gloom,
a loathsome curse, a ghastly doom.
And as the first afflicted foundered
blame was cast and fear resounded.
I myself to Truro bounded.

Tuesday, 19 September 2017

The Cat of St. Ives (Part 1)

I'm publishing the beginning extract of a poem I started a long time ago, while I was living in Luton. The first line came to me while I was half-listening to the radio. They were talking about "puzzles" that a really only tricks, and the famous "As I was going to St. Ives..." problem came up.

Suddenly, the first line of my poem popped into my head, and I had to write it. Here it is, presented unedited. Maybe this will be my encouragement to finally finish it.


The Cat of St. Ives (Part I)

As I was running from to St. Ives,
I met a cat with seven lives 
Who bid of me the time of day 
and offered company a way. 
I thought it kind and did agree 
For her to walk a while with me 
And as we passed the time away 
She told me of her life's affray 
In dark of night and silent day 
From mankind's trials to cast away. 
We made our way past Hellesveor 
and on the day toward Zennor 
where, in The Tinners, toward the eve 
I called my friend for a reprieve 
and though the landlord doubted me 
my coin was good enough for he 
to let my familiar and I
to spend the night the fire by.
Twas then I saw the furred mark
more visible in gloom and dark
that told me my companion
had lost a life, if only one,
and thrust I to request the lay 
if not too much, of fateful day.


Please, enjoy. I welcome criticism, but I mean criticism. If you don't have anything to say that would help make this better, probably best not to say anything.

Wednesday, 30 August 2017

Bad to the Bone

Who is the antagonist and what do they want? I understand that making an impression with an antagonist depends on the story. Fantasy tales tend to introduce the antagonist either by having you meet them, or by having others tell you stories of their evil exploits before you come face to face with them. In mysteries, we're not supposed to know who the evildoer is until the reveal, which should be as close to the end as practical. In a horror, we might never get to know who the antagonist is, or they may be as much part of the story as the mystery antagonist. Finally, Dark Romance/Vampire fantasy will have us meet the antagonist early to ensure we see how appealing they are. They want us to like them.

A growing trend in fantasy genre is the tendency to have the antagonist not be a bad person. They may be set in opposition to the protagonist, but their motives are pure.

Monday, 21 August 2017

"The times, they are a'changin'"

I'm on my second draft. As I mentioned, I churned out the original story as quickly as I could just to get the ideas down on paper before they started to get mixed up or overly complicated. One of my writing bugbears is overthinking things.

"Just a second!"
Well, now that I'm in the middle of the second draft I have to try to iron out some of the problems with that initial draft. How coherent are my characters and their development? Do they each have an individual voice to speak with? How well is my story structure and paced?

Friday, 11 August 2017

"I can't hear you..."

Voice! What is your voice? Have you even developed a voice in your writing yet? I'm not sure I have. I don't think I've quite hit on what makes my writing "mine".

  On top of trying to find my own voice, I'm also trying to find a voice for my characters. In my current project, I have some distinct voices and personality for two of my characters, and I have one character who is so flat that all of their dialog reads no differently to the prose around it. I'm thinking of taking them out of the story entirely. This would mean completely rewriting the book!

  So, how do I find my voice when I'm also supposed to animate all these other voices?

Tending the Garden

I'm not a recognised writer, a published writer, I don't even know if I'm a good writer, but if I can learn enough about the craft of writing, I imagine I can become one or all of these things. To that end, I've been watching Brandon Sanderson's writing lectures on |YouTube| and have discovered that I'm a gardner.

  I'm going to assume that that doesn't mean I would be more successful tending plants than writing novels, but that's the way I write. I create things as I go and then come back later to edit or add.

  This leaves one important question: Where do I start?